i will never not reblog this
Dr. Seuss was a racist. He wouldn’t attach his words to an interracial romance. Here are seven racist cartoons he made about Japanese-Americans during WWII.
He also later apologized and wrote Horton Hears a Who! to illustrate his remorse for his previous way of thinking
"From now on, I’ll have to make sure I can show my gratitude to those who freed me. I can’t change your desire to eliminate all youkai. However, if you’re going to seal me away again, I will resist you with all my strength. Humans haven’t changed since my days in the temple. How weak and rash you are! Now, namusan ―― !"
asking for straight pride is like asking for able bodied parking spaces
thats a really good comparison because there are about seventy able bodied parking spaces to one disabled and able bodied people still insist on using the ones that arent theirs
this is seriously a great post
Inspired by Anita Sarkeesian’s Video Game Tropes vs Women, I wanted to pitch a Zelda game where Zelda herself was the hero, rescuing a Prince Link.
Clockwork Empire is set 2,000 years after Twilight Princess, and is not a reboot, but simply another iteration in the Zelda franchise. It just so happens that in this case, Zelda is the protagonist. I’m a very big Zelda fan, and worked hard to draw from key elements in the continuity and mythos.
This concept work is meant to show that Zelda as a game protagonist can be both compelling and true to the franchise, while bringing new and dynamic game elements that go farther than being a simple gender swap.
Hope you like it!